CHARLEY FRIEDMAN

CHARLEY FRIEDMAN

  • EVERYTHING IN CHRONOLOGICAL ORDER
    • GUN SHOW
  • EXHIBITIONS
    • Everson Museum of American Art: Soundtracks for the Present Future
    • Bemis Center for Contemporary Art: Soundtracks for the Present Future
    • Panopticon: A Collaboration with Nancy Fridemann-Sánchez 2020
    • Crystal Bridges Museum of American Art: 2019
    • Ceró Galeria: two-person show with Lucas Ospina, Bogota Colombia: 2018
    • SUNY Stony Brook, two-person show with Nancy Friedeman-Sánchez: 2018
    • VSOP Projects: Greenport, New York: 2018
    • LUX Center for the Arts: 2017
    • Arts & Culture Center/Hollywood, FL, Miami FL: 2017
    • Museum of Nebraska Art: 2017
    • Omi International Art Center: 2016
    • The Fields at Art Omi: 2016
    • Gallery Diet: 2015
      • Installation Images
      • The Western Code
    • Neues Kunstforum, Köln Germany, two-person show with Nancy Friedemann-Sánchez: 2014
    • Gallery Diet: 2010
    • Gallery Diet: 2008
    • Barbara Mathes Gallery: 2007
    • Sheldon Museum of Art: 2007
    • White Columns: 2000
    • CRP: 1998
  • SCULPTURE-INSTALLATION
    • Gun Show
    • Menorah
    • Portrait of Alex Ross
    • Soundtracks for the Present Future
    • Unknown Pleasures
    • Magic Powers (vertical spew)
    • Self-Portrait
    • Magic Powers (45 degree spew)
    • The Talisman
    • Arrows
    • Tiny Talisman
    • ABCDEFGHIJKLMNOPQRSTUVWXYZ
    • Science Project
    • Squirrel Gang
    • Squirrel Gang (Plasticine)
    • Ash Tray
    • Magic Powers
    • Special Powers
    • I LIKE MOIST THINGS
    • Big Red Ball
    • Fake Calder
    • Q-Tips
    • Carpet World
    • Gross Anatomy
    • Lobster Clock
    • Garden
    • Basic Information
    • nancy's tasty vagina
    • Big Eyes
    • Big Eyes II
    • Jellybean Piece
    • G-O-D
    • Cake Box
    • Soundproof Box
  • PHOTOGRAPH
  • PERFORMANCE
  • VIDEO
    • One Hours Smile: 1990, 2005, 2015
  • PAPER
    • HOLOCAUST DENIERS WORD SEARCH
    • HOLOCAUST DENIERS WORD SEARCH: Edition of 30
    • EVERTHING IS GOING TO BE OK
    • EVERYTHING IS GOING TO BE OK: Edition of 45
    • Gross Anatomy/Anatomia Completa: Edition of 70
    • Ocean & Sea
    • vagina
    • The Western Code
    • Looking at The Sun
  • COMMISSION
    • Big Lake Park: 2014
  • WRITING
  • INTERVIEWS
  • CV
  • artist statement
  • links
  • contact
  • bibliography
  • catalogs
Soundtracks for the Present Future
2022

Soundtracks for the Present Future is an immersive auditory installation that combines over 70 second-hand guitars, mandolins, and basses to create a singular instrument. Suspended from the ceiling in a cluster, the instruments form a labyrinth of sounds and vibrations that perpetually shifts as viewers navigate the work. By weaving a sound tapestry through one’s response to different sounds and music, Friedman explores the relationship between humanity and music by activating the senses while straddling the line between one’s private experience and a collective musical experience. The compositions played conceptually explore the diversity of the medium and the imprint it can make. Music has the power to stimulate a full spectrum of emotions and memories, which, in turn, can build empathy and transcend political discord. This work aims to both dissect and affirm one’s relationship to music as a stimulant and as an art form. Soundtracks for the Present Future explores ideas around decentralization and diversity through the multiplicity of distinct instruments. Each is a unique character within a crowd, individual yet collective.

Soundtracks for the Present Future is organized by Rachel Adams, Chief Curator and Director of Programs at Bemis Center for Contemporary Arts.


charley friedman, copyright

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