CHARLEY FRIEDMAN

CHARLEY FRIEDMAN

  • EXHIBITIONS
    • Nemeth Art Center: Magic and Loss with Nancy Friedemann-Sánchez 2024
    • Museum of Nebraska Art: Magic and Loss with Nancy Friedemann-Sánchez 2025
    • Elder Gallery, Nebraska Wesleyan University: A Serious Man 2024
    • Gregory Allicar Museum of Art: Soundtracks for the Present Future 2024
    • Everson Museum of American Art: Soundtracks for the Present Future 2022
    • Bemis Center for Contemporary Art: Soundtracks for the Present Future 2021
    • Panopticon: A Collaboration with Nancy Fridemann-Sánchez 2020
    • Crystal Bridges Museum of American Art: 2019
    • Ceró Galeria: two-person show with Lucas Ospina, Bogota Colombia: 2018
    • SUNY Stony Brook, two-person show with Nancy Friedeman-Sánchez: 2018
    • VSOP Projects: Greenport, New York: 2018
    • LUX Center for the Arts: 2017
    • Arts & Culture Center/Hollywood, FL, Miami FL: 2017
    • Museum of Nebraska Art: 2017
    • Omi International Art Center: 2016
    • The Fields at Art Omi: 2016
    • Gallery Diet: 2015
      • Installation Images
      • The Western Code
    • Neues Kunstforum, Köln Germany, two-person show with Nancy Friedemann-Sánchez: 2014
    • Gallery Diet: 2010
    • Gallery Diet: 2008
    • Barbara Mathes Gallery: 2007
    • Sheldon Museum of Art: 2007
    • White Columns: 2000
    • CRP: 1998
  • SCULPTURE-INSTALLATION
    • Magic and Loss
    • Deadpan
    • War Room
    • Menorah
    • Portrait of Alex Ross
    • Soundtracks for the Present Future
    • Unknown Pleasures
    • Magic Powers (vertical spew)
    • Self-Portrait
    • Magic Powers (45 degree spew)
    • The Talisman
    • Arrows
    • Tiny Talisman
    • ABCDEFGHIJKLMNOPQRSTUVWXYZ
    • Science Project
    • Squirrel Gang
    • Squirrel Gang (Plasticine)
    • Ash Tray
    • Magic Powers
    • Special Powers
    • I LIKE MOIST THINGS
    • Big Red Ball
    • Fake Calder
    • Q-Tips
    • Carpet World
    • Gross Anatomy
    • Lobster Clock
    • Garden
    • Basic Information
    • nancy's tasty vagina
    • Big Eyes
    • Big Eyes II
    • Jellybean Piece
    • G-O-D
    • Cake Box
    • Soundproof Box
  • PHOTOGRAPHS
    • Family Portrait
    • Chasid in the Woods
    • Dandelion
    • E G G S
    • Nipple Eyes
    • Untitled (Chasid)
    • Untitled (Chuck Close)
    • doody de deer
    • Cow Staring at You
    • Cow Profile
    • Tortoise
    • Fall Swastika in Cornish, NH
    • MOM
    • My Father with His Shirt Off
  • PERFORMANCE
    • The Talisman
    • Bitzalel Friedemann: Docent guided tour of Sheldon Museum of Art
    • Betsey Geffen: Docent guided tour of Sheldon Museum of Art
    • A Brief History of Performance Art
    • Betsey Geffen: Tour at Sarah Meltzer Gallery
    • Betsey Geffen
    • Felix, Flowers, Flags & Poems
    • Grapefruit Piece as Adenoid
  • VIDEO
    • One Hours Smile: 1990, 2005, 2015
    • The Grapefruit Piece
    • The Talisman
    • True Stories - Live!
    • Four Track Memory
    • Felix, Flowers, Flags & Poems
    • Grapefruit Piece (remastered)
    • Walking Backwards in the Woods While Air Guitaring Sgt. Peppers from Beginning to End
  • PAPER
    • HOLOCAUST DENIERS WORD SEARCH
    • HOLOCAUST DENIERS WORD SEARCH: Edition of 30
    • EVERTHING IS GOING TO BE OK
    • EVERYTHING IS GOING TO BE OK: Edition of 45
    • Gross Anatomy/Anatomia Completa: Edition of 70
    • Ocean & Sea
    • vagina
    • The Western Code
    • Looking at The Sun
    • Ten Letters
    • Coat Rack
    • Magic Rays
    • Growth Gouache
  • COMMISSION
    • Big Lake Park: 2014
  • WRITING
  • INTERVIEWS
  • CV
  • artist statement
  • links
  • contact
  • bibliography
  • catalogs
MOM
1999
30"x40"

This photograph juxtaposes the archetype that is conjured by the word “MOM” with the reality of what a mother looks like. The text is very clean, balanced and symmetrical, calling to mind the sterile picture of motherhood presented to us in cultural media. Taking the place of the letter “O” is my own mother, standing slightly off balance, and in an asymmetrical pose. This calls attention to the divide between society’s concept of the perfect mom and the reality of every mother. They are fully formed human beings that exist beyond the prescribed traits of motherhood, and have their own flaws, desires, and personalities.


charley friedman, copyright

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